Books (ongoing)

Robert Ashley, Music with Roots in the Aether: Interviews With and Essays About Seven American Composers, (2000, MusikTexte Cologne)

David Dunn, Why do Whales and Children Sing? : A Guide to Listening in Nature  (1999, Earth Ear, Santa Fe New Mexico)

Morton Feldman, Give My Regards to Eighth Street: Collected Writings of Morton Feldman ed., B H Friedman (2000, Exact Change, Cambridge MA)

Alvin Lucier, Reflections: Interviews, Scores, Writings 1965 – 1994 /  Reflexionen: Interviews, Notationen, Texte 1965 – 1994 (1995, MusikTexte Cologne)

Pauline Oliveros, Deep Listening: A Composer’s Sound Practice, (2005, iUniverse Lincoln)

Dick Raaijmakers Cahier – M : A Brief Morphology of Electric Sound (2000 Orpheus Institute Gent, Leuven University Press)

Louis Andriessen, The Art of Stealing Time ed.,Mirjam Zegers (2002 Arc Publications, Lancashire UK)

Iannis Xenakis, Arts / Sciences: Alloys, The Thesis Defense of Iannis Xenakis (1985, Pendragon Press, New York)

Lucy Lippard Overlay: Contemporary Art and the Art of Prehistory (1983 Pantheon Books, New York)

Rebecca Solnit, Wanderlust: A History of Walking (2001, Verso, London)

Gregory Bateson, Steps to an Ecology of Mind (1972, Ballantine Books, New York)

Roy Ascott Telematic Embrace: Visionary Theories of Art, Technology and Consciousness ed., with essay by Edward Shanken (2003 University of California Press, Los Angeles)

Brandon LaBelle Background Noise: Perspectives on Sound Art (2007 Continuum, New York)

Barry Blesser and Linda-Ruth Salter Spaces Speak, Are you Listening?: Experiencing Aural Architecture (2007, MIT Press)

ed., Christopher Cox and Daniel Warner Audio Culture: Readings in Modern Music (2004, Continuum, New York)

ed., Ros Bandt, Michelle Duffy and Dolly Mackinnon Hearing Places: Sound, Place, Time, Culture (2007 Cambridge Scholars Publishing)

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